be serious

I ignored my father’s threats and dropped out of school when I was 18. I wrote a goodbye letter on the cover of The good person of Szechwan that I left at his front desk. By the time he found my letter – “one day you’ll be proud of me“- I was already at the train station in Paris to start a new life in Berlin. I ignored the repeated calls; nothing would revert my decision. I was angry, scared, and sad. But then an announcement came from the speakers: “DingDangDong, all traffic towards the east is interrupted due to a strike.“ Damn you, France, and your continuous fight for your rights! My phone rang again; this time, I picked up the phone and went home shaking at the thought of what would happen next. My dad opened the door and said that we had to talk. Silently I sat down in the living room. Sweating. My old man came back from the kitchen and in his hands… a bottle of champagne! “I wouldn’t have thought you’d dared to do it. I’m proud of you. So, tell me your plan”.

Who would have thought that a couple of years later, I would voluntarily apply to enter the film school in Vienna where Michael Haneke taught?

 
In 2018 I moved to New York City, started with ten bucks an hour at an indie‑distribution house, got to assist on Documentaries, personally interviewed the Coppola’s (Father and Daughter), Camera Operated for the World Economic Forum, stemmed one of Uwe Boll’s productions as an AD and even had the closing words in Martin Scorsese’s Silence. But I never let directing drift off my radar: whether it was shorts, music videos, or ads. And the grind paid off: a client hired me for the short The Dutchman’s Pipe and then bankrolled my debut feature, The Obelisk coming out this year.
 

Currently I’m in pre-production for my next full-length film, The Box, an adaptation of a theater play and moving between New York and Paris.